Cain appreciated the performances and storytelling, but singled out how the show nailed the Fallout “vibe” as its biggest achievement. “I was just looking at all the props,” he said of one scene. “I realized after a few minutes went by that I had not followed the dialogue at all, because I was so engrossed by it visually.”
On a more sour note, Cain took time to address the way fans of the series can behave poorly online, particularly regarding any perceived rivalry between Fallout entries developed by Bethesda (3, 4, and 76), and those from Interplay, Black Isle, and Obsidian (1, 2, and New Vegas). Cain spoke positively of Todd Howard, and said that “Some of the stuff you [series fans] say online is so off.” See also: the debate about whether the show somehow overrode or ignored the events of those non-Bethesda games, which has since been denied by a senior developer at the studio.
Which doesn’t really make sense given how jingoistic and rabidly anticommunist the pre war 1950s United States is depicted as being.
Why would such a country ever end racial segregation, let alone permit LGBT acceptance? That would require a massive cultural shift, that is worth at least an entire episode of its own. Without such an explanation it just doesn’t really make sense
The show is fake and made up, and so are the games, obviously. But the racial and sexual acceptance depicted doesn’t really make sense. Obviously there’s no problem in depicted characters that aren’t cishet white men. But why would such characters ever be treated as equal in such a fascist depiction of the United States?