I’m glad they’re showing more extended sections of gameplay. I was worried after the last few trailers featured mainly quick cuts between cutscenes and seemingly canned animations. This is shaping up to be promising despite the somewhat worrisome delays.
I just felt like I ran out of things to do and there was no point to keep playing.
To each their own of course, but it sounds like you basically just “beat” the game, in the same way someone beats Animal Crossing. You just stop playing eventually. I don’t see that as a negative if you enjoyed that time.
It’s an incredible game, a love letter to all the best aspects of the Harvest Moon series. My only real gripe is the NPC characters can feel a little stale and robotic after a while, but during a first playthrough they are all full of life.
Unfortunately, not really. If it was, it could have some schlocky entertainment value. As it is, it just doesn’t respect the audience’s time or intelligence.
Rockstar doing quite a bit of heavy lifting here but I guess he’s closer than any of us. Glass Beach has around 500k monthly listeners on Spotify - nothing to sneeze at, but hardly making the zeitgeist.
Maybe! I don’t think there’s a right answer until hindsight shows us how the game does. I can also imagine it has a lot to do with what the folks holding the money think will sell better, a sequel to a poorly received game, or a (potentially) lower risk remake?
The Bioware we knew and loved has been gone a long time. DA2 was hardly Bioware, let alone Inquisition.
To me it’s kinda the perfect game to remake (hopefully it IS remade and not just rereleased) because it had a lot of potential that it just did not live up to. A graphics and content pack would not improve the game much at all, because the let down was the gameplay and mechanics. If they can re-tool that, they may have a solid game here.
It’s the only hardcore album I’ve ever felt compelled to listen to front to back, and it’s probably the only hardcore album I’ll ever buy a vinyl of. It feels like they really took the time to make it a solid album experience.
Congrats to Billy Basso and to Bigmode for the positive reviews! Always good to see a new IP, studio, and even publisher come out the gate strong.
You’re right I forgot! I only remembered the headstone in the hunters dream just being there.
Closer to Bloodborne’s Amygdala, though it doesn’t take you to the DLC it does transport you somewhere else. But hey ER, BB, same difference.
I don’t blame the movie for sexist crap existing in the past, I blame the movie for continuing to perpetuate it in today’s world. They can redesign her however they want (unless Hasbro(?) restricts them.) They’re already re-interpreting the design into this “style” so make the giant transforming robot not conform to outdated stereotypical concepts lol.
Fuckin nice.
Just leave already then, it’s fine.
That’s a very black and white way to look at the world but you do you.
Makes sense to be on that site, since a lot of Lemmy users are probably interested at least in part due to the FOSS nature of it. Maybe it doesn’t need to be phrased as a “warning” though, more just as an FYI. Seems like it could scare people away thinking it’s a data harvesting tool, but such is life.
Haven’t they also had some wild hot takes on certain albums? Maybe it should come down on the specific reviewer but I think Pitchfork took the reputation of being kinda off its rocker.
I think it’s just a matter of trends and design theory. For a long time you couldn’t escape the orange/blue combo like in the Battlefield series artwork. Plus I don’t think all these titles really released at the “same” time.
It’s definitely the perm thing lol. I remember enjoying this movie for what it is.