From the official Netflix twitter account:

Here’s a first look at Millie Bobby Brown and Chris Pratt in The Electric State. Directed by the Russo Brothers. Coming 2025.

After a robot uprising in the '90s, an orphaned teen searching for her brother travels the American West with a robot, a smuggler, and his sidekick.

And some more information from Dark Horizons;

Millie Bobbie Brown, Chris Pratt, Ke Huy Quan, Giancarlo Espostito, Anthony Mackie, Stanley Tucci, Jason Alexander, Brian Cox, and Jenny Slate star in the coming-of-age sci-fi western tale set in a retro-futuristic alternate 1990s.

Brown plays an orphaned teenager who traverses the American West with her robot friend and Keats (Pratt), an eccentric drifter and veteran of the robot-human war in search of her younger brother.

The project is based on the acclaimed graphic novel by Simon Stalenhag. Shot in October 2022 and wrapping in February 2023, further reshoots took place in March and April of this year.

While Vanity Fair published the photos, not mentioned in the piece accompanying it is all the talk of the film’s budget with the movie reportedly costing around $320 million to produce.

The budget blowout on this film is rumored to be one of the reasons why Netflix reassessed its film division and brought Dan Lin to replace Scott Stuber as head of film with a mandate of being more frugal.

The pictures were released in this one block.

  • athairmor@lemmy.worldEnglish
    17·
    2 days ago

    I’m kind of tired of all these actors, especially in something with such a unique style. Let the story and robots stand out with some solid actors that aren’t in every other movie.

    • Nuke_the_whales@lemmy.worldEnglish
      10·
      2 days ago

      Hollywood is stuck on the same actors. I groaned when they cast Anya taylor joy for Furiosa, cause she’s in everything and I’m sick of it.

      It’s like how 5+ years ago every movie had Bradley Cooper and Jennifer Lawrence

    • golli@lemm.eeEnglish
      2·
      2 days ago

      Agreed. Reusing the same set of hyped actors across films definitely reduces the level of immersion. Unless ofc the actors can truly transform themselves like Colin Farrell in the new Penguin series to give a recent example.

      I think the issue is that nowadays the job of actors in big movies like these is just as much being a vehicle for marketing as it is the acting itself. I’ve heard that the rule of thumb is that Hollywood spends a similar amount on marketing as it does on production. So you want someone with a household name that people recognize, that people associate with a type of movie they like, and that can tour through the media circus and talks shows creating buzz.

      Plus it helps with acquiring financing.

      So as much as I’d want to see more fresh faces (and more normal people, not the unrealistic Hollywood standards), I doubt it’ll happen.

  • Dunstabzugshaubitze@feddit.orgEnglish
    91·
    2 days ago

    I like the how the Robots look and Millie Bobby Brown was good in everything i saw her in, so i am carefully optimistic that this will be a fun watch.

    • Nuke_the_whales@lemmy.worldEnglish
      42·
      2 days ago

      I’m sick of Millie Bobbie Brown. Also hate how Hollywood refused to accept her as a young person and just made her 40

        • Nuke_the_whales@lemmy.worldEnglish
          1·
          17 hours ago

          Since she was like 12, Hollywood has been rushing to make her an adult. To the point where she was being put in these outfits and make up that made her look much older. Now she’s 20 and it feels like she’s 40 and is starting to look it already

          • keyez@lemmy.worldEnglish
            1·
            14 hours ago

            Maybe she is a part of that as well? Now she’s like 20 and wanting to be seen as an adult while having been on everyone’s televisions for years as an actual child, pretty wild someone may be struggling with fame at a young age I know.

    • TheLowestStone@lemmy.worldEnglish
      9·
      2 days ago

      Unless this was edited after your post, you just skipped this:

      The project is based on the acclaimed graphic novel by Simon Stalenhag. Shot in October 2022 and wrapping in February 2023, further reshoots took place in March and April of this year.